Client · Motorsport
FIA-accredited paddock and pit lane access at the Circuit de Barcelona-Catalunya, 2020 — shot in collaboration with Formula Racer, with a focus on technical and aerodynamic detail.
This coverage was produced in collaboration with Formula Racer, with FIA accreditation for the paddock and pit lane. The focus stayed on the technical and aerodynamic side of the cars — aero appendages, floor development, bargeboards, diffuser, halo — the detail that's rarely visible from a general-admission vantage point.
Pre-season testing is the one week in the Formula 1 calendar where the cars are new, the whole field is in the same place, and the paddock has not yet closed around a result. Teams run long reliability programmes instead of chasing lap times, garages stay open, and the pit lane is worked at a pace that can actually be photographed. It is the point in the year when the engineering is most visible — which is what made the accreditation worth having.
Corroborated by Gazzetta del Sud — the February 2021 feature on Francesco's work independently refers to his Formula 1 coverage.
Beyond the technical detail, the accreditation covered the length of the pit lane, the boxes, the garages behind them and the paddock between the hospitality units — Francesco describes it as one of the most significant professional experiences he has had.
Across the week the set records eight teams at work. Six cars are identifiable by livery and number: the Mercedes W11, Ferrari SF1000, Alfa Romeo Racing C39, Renault R.S.20, Racing Point RP20 and Williams FW43. McLaren appears as a garage behind a car leaving its box; Scuderia AlphaTauri as a driver in the media pen. Where a face or a suit does not confirm an identity, the frame is left unnamed rather than guessed at.
The sequence moves between the three things that make a test day: the machine, the people who run it, and the place they run it in. It opens on the paddock, works through the cars on track and in their boxes, and closes on hands — a pit stop rehearsed until it is quiet, a wheel gun seated on a slick, mechanics among Pirelli sets in the last useful light. Roughly a third of the set contains no car at all. That is deliberate: the cars are why everyone is there, but they are not the whole of what the week looks like.
Technical motorsport and automotive photography for teams, suppliers and brands — accredited paddock and pit lane work, car and component detail, and the people around the machine. Tell me the circuit and the dates and I'll tell you what the access allows.
Discuss a motorsport shootThe other half of this work stands still: Aston Martin × Peroni, a night campaign shoot in Prague. Both sit under Motorsport.